People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Fluent - Laëticia Donval
La mémoire en acte - Quarente ans de création musicale
Bambi # 4 - Collectif
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
La grande surface de réparation - Gilles Pourtier
Gros Gris n°4 - Duel
Je ne peux pas ne pas - Geneviève Romang
Eros negro n°4 - Démoniak
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
interférence - 2 - maycec
Sans titre - Chris Kiss
Shanghai Cosmetic - Leslie Moquin
Sans titre - Benjamin Hartmann
SKKS - Gilles Pourtier
Strates & Archipels - Pierre Merle
Der Erste Rotkehlchen - Le livre
(page 1 et 17) - Lorraine Druon
9 octobre 1977 - Roberto Varlez
À partir de n°1 - Coll.
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
ICCMHW - Atelier Choque Le Goff
Avec ce qu'il resterait à dire - Anne Maurel
Rasclose - Geoffroy Mathieu
Catalogue Art Guys - That's painting productions, Bernard Brunon
Gruppen n°14 - Collectif
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Génération dakou - Yann Jun + CD
Les voiles de Sainte-Marthe - Christian Rosset
Slanted 24 - Istanbul
Revue Les Saisons n°3
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Darkest Night - Joel Van Audenhaege
Le chateau enchanté - Atelier Mclane
Promenade au pays de l'écriture - Armando Petrucci
Artzines #12 Provo Special
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Aristide n°4
Eldorado maximum - Les commissaires anonymes
Roven n°4
Imagos - Noémie Lothe
La France de tête #04
Débris N°2 - Théo Garnier Greuez
ARTZINES #1, Paris issue
Assembly - Sam Porritt
Crise de foie - Christine Demias
Le corps travesti - Michel Journiac
il y avait une ville - Laeticia L'Heureux
Saint Julien l'hospitalier Tome 1 - Claire Pedot 











































