Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Planning - Pierre Escot
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
In The Navy - Julien Kedryna
Perles & Fracas - Bill Noir
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Polyphème (d'après Euripide) - J. & E. LeGlatin
interférence - 3 - maycec
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Flynn zine # 1 - Flynn Maria Bergmann
Optical Sound 3
Science of the secondary #11 - Banana
Rois de la forêt - Alain Garlan
Grilles - Zelda Mauger
Wayfaring - Patrick Messina, André S. Labarthe
AMONG THE TREES - LIVIA DE MAGISTRIS
Konrad Becker - Dictionnaire de réalité stratégique
Le dos des choses - Guillaume Goutal
Tierra Mágica - Yannick Cormier, Candice Moise
Zoom Age - Julien Auregan 







