Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Pectus Excavatum - Quentin Yvelin
Fluent - Laëticia Donval
š! #39 'The End' - coll.
Cyclone - Juliette Chalaye
Atopoz - Collectif
Karbone Magazine n°8 - Parasite
Ellipse - Ismail Alaoui-Fdili
Critique & création - L.L. de Mars
Optical Sound 3
Mökki n°2
Gros Gris n°4 - Duel
Catalogue Art Guys - That's painting productions, Bernard Brunon
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Retour d'y voir - n° 1 & 2 - Mamco
Grilles - Zelda Mauger
Titanic Orchestra - Julien Mauve
Un cheval, des silex - Benoît Maire, Sally Bonn
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







