Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

Baron - Richard Kern
L'arum tacheté de J-M. Bertoyas
Assembly - Sam Porritt
Distant Egghug - Peter McDonald
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Critique d'art n°55
Burning Images, A History of Effigy Protests - Florian Göttke
Dédale - Laurent Chardon
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Bisou Magique - Coll.
Ilya Ehrenbourg - Et pourtant elle tourne
Sights - Henry McCausland
Theatre - Dan Graham
Der Erste Rotkehlchen - Le livre
movement in squares - Stefanie Leinhos
Critique & création - L.L. de Mars
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Grilles - Zelda Mauger
Good Company - Paul Van der Eerden
Birds - Damien Poulain
Pectus Excavatum - Quentin Yvelin
Gros Gris n°4 - Duel
A l'origine - Anne-Émilie-Philippe
Alma Mater n°1
Shanghai Cosmetic - Leslie Moquin
Imagos - Noémie Lothe
Artzines # 10 - Show & Tell #2 NY Special
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
SKKS - Gilles Pourtier
Eldorado maximum - Les commissaires anonymes
À partir de n°1 - Coll.
Trous gris - Michel Vachey
Cf. - Pierre Olivier Arnaud
Piano - Joseph Charroy
Intérieur - Samoth Trauberchel
Papier magazine n°06 - Coupe du monde
Génération dakou - Yann Jun + CD
Aristide n°4
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Prose postérieure - Les commissaires anonymes
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Artzines #12 Provo Special
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Brush Master - Jasper "Mississippi" Travis
Le vieux père - Laurent Kropf
Keywording (Post) Contemporary Art - Greta Rusttt
America - Ayline Olukman, Hélène Gaudy
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Mökki n°4
Aurore Colbert - Marie Mons 





























