In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Located on an island accessible only by rowboat, Jongensland grew into a sprawling settlement built experimentally from scrap materials by its young inhabitants. Here, children would cook food, raise animals, build fires, and trade with each other. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity.

In 1969, when the architectural photographer Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fascinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. Her images capture an intuitive architectural intelligence and capture a genre of vernacular construction with its own conventions and innovations, one which illuminates the role of imagination in defining a building’s identity and purpose.
This book presents Schulz-Dornburg’s largely unseen series alongside an extended alongside an extended essay by architectural historian Tom Wilkinson reflecting on the architectural themes and lessons Jongensland continues to offer.

Vaguement inoubliable - Bill Noir
Harry Thaler's Pressed Chair
Prose postérieure - Les commissaires anonymes
Papier magazine n°06 - Coupe du monde
Les voiles de Sainte-Marthe - Christian Rosset
Shanghai Cosmetic - Leslie Moquin
A l'origine - Anne-Émilie-Philippe
SKKS - Gilles Pourtier
Le corps travesti - Michel Journiac
Tomber dans l'escalier - Jasper Sebastian Stürup
Le singe et le bijoux - Roxane Lumeret
Véhicule N°7 - Collectif
Image Canoë - Jérémie Gindre
Blaclywall by Sihab Baik - Claude Closky
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Good Company - Paul Van der Eerden
Recto Versu - Bill Noir
本の本の本 - antoine lefebvre editions,
Musée des Beaux-Arts - Pierre Martel
Ventoline 6 - Coll
Talweg 6 - La distance
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
À partir de n°1 - Coll.
Eros negro n°4 - Démoniak
Hiver sur les continents cernés - F.J. OSSANG
š! #39 'The End' - coll.
Anderlecht — Molenbeek - Pierre Blondel
Dessins pour Rugir - Virginie Rochetti
Retour d'y voir - n° 3 & 4 - Mamco
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Zoom Age - Julien Auregan
Vacuité 9090 - Jérémy Piningre
Étrangement seuls - Jean-Pascal Princiaux
Flux, une société en mouvement - Coll.
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
La traversée - Magali Brueder
Link Human / Robot - Collectif dir. Emmanuelle Grangier
akaBB - tribute to Roni horn
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Artzines #12 Provo Special
America - Ayline Olukman, Hélène Gaudy
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Ilya Ehrenbourg - Et pourtant elle tourne
Titanic Orchestra - Julien Mauve
La mémoire en acte - Quarente ans de création musicale
Alma Mater n°1
Le dernier homme - Johann Rivat
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Promenade au pays de l'écriture - Armando Petrucci
Delete Instagram - Brad Phillips
Lavalse des tambours - Paul Rey
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Illusive prosody - Alex Beaurain
De lave et de fer - Laurent Feynerou
La grande surface de réparation - Gilles Pourtier
Dédale - Laurent Chardon
Fluent - Laëticia Donval
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Rasclose - Geoffroy Mathieu
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Inframince et hyperlié - Philippe Lipcare 



















