Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

twen [1959–1971]
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
L'arum tacheté de J-M. Bertoyas
Gruppen n°13 - Collectif
Alma Mater n°1
Citrus maxima xparadisi - coll.
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Optical Sound 2
Bambi # 4 - Collectif 







