Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

In The Navy - Julien Kedryna
Lavalse des tambours - Paul Rey
Gros Gris n°4 - Duel
Entretiens – Jérôme Dupeyrat
L'inventaire des destructions - Éric Watier
Pectus Excavatum - Quentin Yvelin
Critique d'art n°56
Karbone Magazine n°8 - Parasite
Roven n°5
La construction - Perrine Le Querrec
Crise de foie - Christine Demias
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Courir - David Simpson
Le singe et le bijoux - Roxane Lumeret
Autodrône - Divine Vizion
interférence - 3 - maycec
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Grilles - Zelda Mauger 







