Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Échec et scotome - Jean Otth
LSD n° 04 – A manga issue
SKKS - Gilles Pourtier
Eldorado maximum - Les commissaires anonymes
BEAUTY MEE EYE - Luc Natral
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Costumes - Anne Jourdain
Papier magazine n°06 - Coupe du monde 







