Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Julien l'hospitalier Tome 1 - Claire Pedot
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Miniatures - Benjamin Monti, Annabelle Dupret
I Am Not I - Boris Mikhailov
Autodrône - Divine Vizion
Keywording (Post) Contemporary Art - Greta Rusttt
A R N O R D I R - FLorian Marciourt
Copy This Book - Eric Schrijver
Gros Gris n°4 - Duel
Rasclose - Geoffroy Mathieu
Entretiens – Jérôme Dupeyrat
Jean-Jacques a dit - Angèle Douche
Le chateau enchanté - Atelier Mclane
Seoul Flowers & Trees - tribute to Lee Friedlander
Cuadernos - Henry Deletra
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Papier magazine n°06 - Coupe du monde 







