Book: limited edition to 500 copies, hand numbered & hand stamped.
hardcover book (24 cm x 22 cm) on Munken Print, 96 pages, 54 photos, printed on Munken Print White Main 1.8 115g/m2, logo, slot and circle embossed,
matt laminate soft touch finish with selective varnish.
Vinyl: limited edition to 300 copies, hand numbered.
DDM cut, 12 » black vinyl 180gm, matt outer sleeve + UV selective varnish on 350gm paper, black paper inners. mastered by Taylor Deupree.

Albarrán Cabrera are the photographers Anna Cabrera (b. 1969, Sevilla) and Angel Albarrán (b. 1969, Barcelona) who work together as a collaborative duo based in Barcelona.
The work of Albarrán Cabrera has been shown in galleries and photo fairs in Spain, Japan, Switzerland, The Netherlands, France, Germany, Lebanon, Italy and the United States. Anna and Angel have both studied under photographers such as Humberto Rivas and Toni Catany, among others.Some of their prints have become part of private collectors and institutions such as Hermes, Goetz Collection, Banco de Santander, Fundación de Ferrocarriles Españoles among others. They have also produced printing work for several institutions like Fundació La Pedrera in Barcelona, Fundació Toni Catany in Mallorca, Reina Sofia Museum in Madrid or Barcelona Photographic Archive.
‘’ There is a gap between reality and what we understand as real. And photography lies in the frontier between the real and unreal, the true and the false. So it helps us to “see” what is hidden from us. (…) We use a wide range of processes and materials. Some of these processes are the result of the combination of several old photographic processes or they can be a mixture of new and old ones. Thus we use, platinum, palladium, cyanotype or gelatine silver processes. But we have also invented and developed new processes, as it is the case of the one we use for our colour prints: pigments, Japanese paper and gold leaf. All this serves just one single purpose: we want to have far more parameters to play with the viewer than just the image. The texture, colour, finishing, tones; even the border of a print can give extra information to the viewer. And you can have a better control over this information just using the correct process and materials for a specific image.. (Albarrán Cabrera) ‘’. (www.albarrancabrera.com)
Federico Durand is an Argentinian musician and composer who has recorded since 2010 twelves solo albums through some labels among others as Spekk, Home Normal, White Paddy Mountain, 12k. Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. He likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. He has also a musical project with Tomoyoshi Date (Opitope, Illuha) called Melodía.
(www.federicodurand.bandcamp.com)

moj’am al arabeia - Farah Khelil & antoine lefebvre editions
In The Navy - Julien Kedryna
Illusive prosody - Alex Beaurain
Un essai sur la typographie - Eric Gill
Der Erste Rotkehlchen - Le livre
š! #39 'The End' - coll.
12345678 - Maya Strobbe
Mökki n°4
Critique d'art n°55
SKKS - Gilles Pourtier
Le vieux père - Laurent Kropf
Il est si difficile de trouver le commencement - Helen Thorington
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Assembly - Sam Porritt
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Grilles - Zelda Mauger
Le chateau enchanté - Atelier Mclane
Rasclose - Geoffroy Mathieu
ARTZINES #3 - Tokyo issue
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Critique & création - L.L. de Mars
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
Machiavel chez les babouins - Tim Ingold
ICCMHW - Atelier Choque Le Goff
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Après la révolution – numéro 1
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Aristide n°4
Le blanc nez - Fouss Daniel
Roven n°4
Mission Control - Emir Karyo & Jan Wojda
Shanghai Cosmetic - Leslie Moquin
Pectus Excavatum - Quentin Yvelin
Critique d'art n°56
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Pénurie - Zivo, Jérôme Meizoz
Konrad Becker - Dictionnaire de réalité stratégique
Photographic Fields - Joël Van Audenhaege
Inframince et hyperlié - Philippe Lipcare
De tels baisers - Jul Gordon
Eldorado maximum - Les commissaires anonymes
Musée des Beaux-Arts - Pierre Martel
Fluent - Laëticia Donval
Comic Book (Untitled) - Stéphanie Leinhos
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Les glaciers - Lorraine Druon
Talweg 6 - La distance
Temps d'arrêt - Etienne Buyse
Atopoz - Collectif
Bambi # 4 - Collectif 















