People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

fig. #6 - antithèse
16 x 421 - Lorraine Druon
La mémoire en acte - Quarente ans de création musicale
Piano - Joseph Charroy
Assembly - Sam Porritt
Salt Crystal - Fabio Parizzi
Dans la Lune - Fanette Mellier
Critique & création - L.L. de Mars
Imagos - Noémie Lothe
La France de tête - Lot de 4 numéros
Dédale - Laurent Chardon
Promenade au pays de l'écriture - Armando Petrucci
12345678 - Maya Strobbe
Le déclin du professeur de tennis - Fabienne Radi
Eros negro n°3 - Démoniak
Before Science - Gilles Pourtier, Anne-Claire Broc'h
All Wet - Maryin Winter
akaBB - tribute to Roni horn
Inframince et hyperlié - Philippe Lipcare
Critique d'art n°56
10 MINUTES Architects and Designers in Conversation
Seoul Flowers & Trees - tribute to Lee Friedlander
Dialogue de dessins 7 - Jochen Gerner, Guillaume Chauchat
Alma Mater n°1
Poèmes - Yvonne Rainer
Polyphème (d'après Euripide) - J. & E. LeGlatin
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Titanic Orchestra - Julien Mauve
ARTZINES #1, Paris issue
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Crise de foie - Christine Demias
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Temps d'arrêt - Etienne Buyse
UP8 — Pour une pédagogie de l'architecture
Trous gris - Michel Vachey
Sillo n°3 - Le Fauve
In The Navy - Julien Kedryna
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Marginalia - Clément Laigle
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Le chateau enchanté - Atelier Mclane
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Entretiens – Jérôme Dupeyrat
Le vieux père - Laurent Kropf
Platteland - Simon Vansteenwinckel
America - Ayline Olukman, Hélène Gaudy
Le blanc nez - Fouss Daniel 











































