In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

America - Ayline Olukman, Hélène Gaudy
Dirty fish - Léa Abaroa
Watch out - Anne-Émilie-Philippe
š! #39 'The End' - coll.
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Syrtis Major - Barbara Meuli, Antoine Fischer
Rois de la forêt - Alain Garlan
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
1994 - 2001 - Lorenzo Castore
Dédale - Laurent Chardon
Sillo n°3 - Le Fauve
Slikmiks - Mikkel Sommer / Mekl
Papier magazine n°06 - Coupe du monde
HARTES BROT - Moritz Schermbach
Cuadernos - Henry Deletra
La grande surface de réparation - Gilles Pourtier
Optical Sound 3
Pénurie - Zivo, Jérôme Meizoz
Dessins pour Rugir - Virginie Rochetti
Gros Gris n°4 - Duel
Rendezvous - Eléonore Pano-Zavaroni
Strates & Archipels - Pierre Merle
Un essai sur la typographie - Eric Gill
Konrad Becker - Dictionnaire de réalité stratégique
Editer l’art – Leszek Brogowski
Lili, la rozell et le marimba / revue n°2
Roven n°4
SKKS - Gilles Pourtier
Avec ce qu'il resterait à dire - Anne Maurel 











