“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

In The Navy - Julien Kedryna
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Der Erste Rotkehlchen - Le livre
La traversée - Magali Brueder
Zoom Age - Julien Auregan
Critique d'art n°55
Shanghai Cosmetic - Leslie Moquin
Pectus Excavatum - Quentin Yvelin
Je ne peux pas ne pas - Geneviève Romang
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Fluent - Laëticia Donval
Rasclose - Geoffroy Mathieu
Lavalse des tambours - Paul Rey
Saint Julien l'hospitalier Tome 1 - Claire Pedot
SKKS - Gilles Pourtier
Roven n°5
De lave et de fer - Laurent Feynerou
Dans la Lune - Fanette Mellier
Mökki n°4
Le corps travesti - Michel Journiac
Le vieux père - Laurent Kropf
Strates & Archipels - Pierre Merle
Imagos - Noémie Lothe
Illusive prosody - Alex Beaurain
Dernier royaume - Quentin Derouet
La prise - Florian Javet
America - Ayline Olukman, Hélène Gaudy
Grilles - Zelda Mauger
Gros Gris n°4 - Duel
Rois de la forêt - Alain Garlan
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Optical Sound 3
Slanted 30 - Athens
Bokkusu - Nigel Peake
Gruppen n°13 - Collectif
Bambi # 4 - Collectif
Burning Images, A History of Effigy Protests - Florian Göttke
ADBC du Dessin - Jacques Floret
Paysageur n°3 - Mobiles
Tomber dans l'escalier - Jasper Sebastian Stürup
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
It was a good day - Jeremy Le Corvaisier
Le dos des choses - Guillaume Goutal
A Few Homers - coll.
☀ - Manon Demarles
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Sans titre - Chris Kiss
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
akaBB - tribute to Roni horn
Aurore Colbert - Marie Mons
Les voiles de Sainte-Marthe - Christian Rosset
Temps d'arrêt - Etienne Buyse
Halogénure #04
Hideous - Thomas Perrodin, Néoine Pifer
Dédale - Laurent Chardon
Inframince et hyperlié - Philippe Lipcare
Critique d'art n°54
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Mökki n°2
Dessins pour Rugir - Virginie Rochetti
Strates - Else Bedoux
Sans titre - Benjamin Hartmann
Dear Paul - Paul Van der Eerden
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Good Company - Paul Van der Eerden
Piano - Joseph Charroy 































