Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eros negro n°4 - Démoniak
Gruppen n°14 - Collectif
Le singe et le bijoux - Roxane Lumeret
Critique d'art n°56
Revue La Ronde n°14
It was a good day - Jeremy Le Corvaisier
Roven n°4
Tanière de lune - Maria-Mercé Marçal
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Sights - Henry McCausland
akaBB - tribute to Roni horn
Wayfaring - Patrick Messina, André S. Labarthe
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Aurore Colbert - Marie Mons
Deep state - Mathieu Desjardins
Slanted 24 - Istanbul
Inframince et hyperlié - Philippe Lipcare
Délié - Baptiste Oberson
Sans titre - Chris Kiss
Fluent - Laëticia Donval
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Papier magazine n°06 - Coupe du monde
People in a faraday cage - Stéphanie Gygax
Shanghai Cosmetic - Leslie Moquin
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Sans titre - Benjamin Hartmann 







