Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Slanted 30 - Athens
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Assembly - Sam Porritt
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le dos des choses - Guillaume Goutal
Sillo n°3 - Le Fauve
Gruppen n°14 - Collectif
Retour d'y voir - n° 1 & 2 - Mamco
Before Science - Gilles Pourtier, Anne-Claire Broc'h
It was a good day - Jeremy Le Corvaisier
Der Erste Rotkehlchen - Le livre
Les Grands Ensembles - Léo Guy-Denarcy
Le corps travesti - Michel Journiac
An Inventory Of - Daniele Franzella
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
In The Navy - Julien Kedryna
Optical Sound 3
9 octobre 1977 - Roberto Varlez
Holy etc. - Fabienne Radi
Sans titre - Benjamin Hartmann 







