Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Dernier royaume - Quentin Derouet
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Keywording (Post) Contemporary Art - Greta Rusttt
Schindler Manifesto
L'eau jusqu'au nombril - Lilian Froger
Une goutte d'homme - Alice Dourlen
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
May you Continue to Blossom - Alexandra Dautel
Imagos - Noémie Lothe
PRISON MUSEUM - Nicolò Degiorgis
Critique & création - L.L. de Mars
Revue Les Saisons n°3
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







