Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Papier magazine n°06 - Coupe du monde
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
MASKS - Damián Ortega
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Une histoire russe - Claude Grétillat
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
ADBC du Dessin - Jacques Floret
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Keywording (Post) Contemporary Art - Greta Rusttt
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Les soleils qui tournent ont des oreilles - coll.
Critique & création - L.L. de Mars
America - Ayline Olukman, Hélène Gaudy
Aristide n°4 







