Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Roven n°4
Mökki n°2
Elk - Jocko Weyland
Sans titre - Benjamin Hartmann
America - Ayline Olukman, Hélène Gaudy
Imagos - Noémie Lothe
Lucky Me - Eva Rotreklová & Jules Janssen
Tchat - Gary Colin
Dédale - Laurent Chardon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Le dos des choses - Guillaume Goutal
Un peu comme voir dans la nuit - Leif Elggren + CD
A l'origine - Anne-Émilie-Philippe
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Lisa Zordan . one-shot the end
ADBC du Dessin - Jacques Floret
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Composite n° 04
Inframince et hyperlié - Philippe Lipcare
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Le chateau enchanté - Atelier Mclane 







