Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan
Good Company - Paul Van der Eerden
A Compilation Of Contemporary Letter Designs
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
A l'origine - Anne-Émilie-Philippe
The Shelf - Journal 3
AARC – Alter Architecture Research Collective n° 01
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
HARTES BROT - Moritz Schermbach
An Inventory Of - Daniele Franzella
Hobo Nickel - Damien Sauvage
Grilles - Zelda Mauger
Artzines #12 Provo Special
Vanishing Workflows - Xavier Antin
Poèmes - Yvonne Rainer
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
akaBB - tribute to Roni horn
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Véhicule N°7 - Collectif
Aristide n°4
De lave et de fer - Laurent Feynerou
Guten Tag - Pablo Tomek
Lili, la rozell et le marimba / revue n°2
Deep state - Mathieu Desjardins 







