Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Blaclywall by Sihab Baik - Claude Closky
interférence - 2 - maycec
Pénurie - Zivo, Jérôme Meizoz
Collage - Laura McMorrow
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Carnivore - Grow
Le dos des choses - Guillaume Goutal
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Critique d'art n°54
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Baron - Richard Kern
Je ne peux pas ne pas - Geneviève Romang
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Catalogue Art Guys - That's painting productions, Bernard Brunon
Graphzine Visages
ARTZINES #1, Paris issue
La Ciudad del Sol - Julia Ramírez-Blanco
Good Company - Paul Van der Eerden 







