Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Shanghai Cosmetic - Leslie Moquin
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Le seuil - Quentin Yvelin
the Ghost of Weaving - Coll.
ICCMHW - Atelier Choque Le Goff
Sans-Titre - Laurens Van'T Riet
Ce qu'est ce que - Gabriel Hibert
10 MINUTES Architects and Designers in Conversation
Link Human / Robot - Collectif dir. Emmanuelle Grangier
I Am Not I - Boris Mikhailov
Holy etc. - Fabienne Radi
Escape - Makiko Minowa
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
L'internationale modique (AND 3) - J-M. Bertoyas
Temps d'arrêt - Etienne Buyse
Pectus Excavatum - Quentin Yvelin
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Tomber dans l'escalier - Jasper Sebastian Stürup
Prose postérieure - Les commissaires anonymes
Watch out - Anne-Émilie-Philippe
9 octobre 1977 - Roberto Varlez
Elk - Jocko Weyland
Strates & Archipels - Pierre Merle
Der Erste Rotkehlchen - Le livre
Lili, la rozell et le marimba / revue n°2
Le dos des choses - Guillaume Goutal
Zombie Girls 2.0 - Lucie Lučanská
It was a good day - Jeremy Le Corvaisier
Le corps travesti - Michel Journiac
Revue Les Saisons n°3
Roven n°4
Elsa Klée - Elsa & The Haters #2, Domination
Retour d'y voir - n° 1 & 2 - Mamco
Machiavel chez les babouins - Tim Ingold
In The Navy - Julien Kedryna
Paysageur n°3 - Mobiles
Titanic Orchestra - Julien Mauve
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







