Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Sébastien - Antoine Orand
Tanière de lune - Maria-Mercé Marçal
Temps d'arrêt - Etienne Buyse
Pénurie - Zivo, Jérôme Meizoz
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Musée des Beaux-Arts - Pierre Martel
Entretiens – Jérôme Dupeyrat
Le chateau enchanté - Atelier Mclane
In The Navy - Julien Kedryna
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
il y avait une ville - Laeticia L'Heureux
Assembly - Sam Porritt
Aristide n°4
Aurore Colbert - Marie Mons
Je ne peux pas ne pas - Geneviève Romang
Cuadernos - Henry Deletra
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Regards croisés — Gekreutze Blicke - Yeloyolo
Sans titre - Chris Kiss
Editer l’art – Leszek Brogowski
IBM – Graphic Design Guide from 1969 to 1987
La mémoire en acte - Quarente ans de création musicale
ADBC du Dessin - Jacques Floret
Un cheval, des silex - Benoît Maire, Sally Bonn
Hérésie Étiologique - coll.
Mökki n°4 







