A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Gros Gris n°4 - Duel
Crise de foie - Christine Demias
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Illusive prosody - Alex Beaurain
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Musée des Beaux-Arts - Pierre Martel
Je ne peux pas ne pas - Geneviève Romang
Roven n°4
Sans titre - Benjamin Hartmann
In The Navy - Julien Kedryna
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Good Company - Paul Van der Eerden
Birds - Damien Poulain
Dear Paul - Paul Van der Eerden
Photographic Fields - Joël Van Audenhaege
Watch out - Anne-Émilie-Philippe
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Un essai sur la typographie - Eric Gill
Mökki n°4
America - Ayline Olukman, Hélène Gaudy
Planning - Pierre Escot
The Letter A looks like The Eiffel Tower - Paul Andali
À partir de n°3 - Collectif
Syrtis Major - Barbara Meuli, Antoine Fischer
Optical Sound 3
Assembly - Sam Porritt 







































