Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Le corps travesti - Michel Journiac
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Red Horse - Sasha Kurmaz
9 octobre 1977 - Roberto Varlez
Dans la Lune - Fanette Mellier
Aristide n°4
Un peu comme voir dans la nuit - Leif Elggren + CD
Optical Sound 3
Piano - Joseph Charroy
La construction - Perrine Le Querrec
Un essai sur la typographie - Eric Gill
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Off the Grid - Anna Niklova
Sillo n°3 - Le Fauve
The Letter A looks like The Eiffel Tower - Paul Andali
interférence - 2 - maycec
Les Grands Ensembles - Léo Guy-Denarcy
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Sans titre - Benjamin Hartmann
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Retour d'y voir - n° 3 & 4 - Mamco
Eros Negro # 1 - Demoniak
Imagos - Noémie Lothe
Une goutte d'homme - Alice Dourlen
Fluent - Laëticia Donval 





