Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Il était deux fois - Gary Colin
Migrant Mother, Migrant Gender - Sally Stein
Tanière de lune - Maria-Mercé Marçal
Un peu comme voir dans la nuit - Leif Elggren + CD
UPO 2 - J'aimerai être là - Xenia Naselou
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
La traversée - Magali Brueder
ADBC du Dessin - Jacques Floret
Radio-Art - Tetsuo Kogawa
Objets Minces - Collectif
Critique d'art n°55
Pectus Excavatum - Quentin Yvelin 























