Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

16 x 421 - Lorraine Druon
Lili, la rozell et le marimba / revue n°2
People in a faraday cage - Stéphanie Gygax
Awakening at the inn of the birds - Aymeric Vergnon
Holy etc. - Fabienne Radi
The Letter A looks like The Eiffel Tower - Paul Andali
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Slanted 30 - Athens
Les voiles de Sainte-Marthe - Christian Rosset
Critique d'art n°55
Replacement Artwork - Alexandre Barré
Gruppen n°13 - Collectif
9 octobre 1977 - Roberto Varlez
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Optical Sound 3
Oasis - Stéphane Ruchaud, Christophe Honoré
Le dos des choses - Guillaume Goutal
Paysageur n°3 - Mobiles
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Off the Grid - Anna Niklova
Retour d'y voir - n° 1 & 2 - Mamco
Prose postérieure - Les commissaires anonymes
Email Diamant - Fabienne Radi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Good Company - Paul Van der Eerden
Mökki n°2
Burning Images, A History of Effigy Protests - Florian Göttke
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Radio-Art - Tetsuo Kogawa
In The Navy - Julien Kedryna
Typologie – La tente de camping
Karbone Magazine n°8 - Parasite
Inframince et hyperlié - Philippe Lipcare
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
IBM – Graphic Design Guide from 1969 to 1987
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Rasclose - Geoffroy Mathieu
Désolation - Verity Spott
Eros negro #2 - Demoniak
La Typographie Moderne - Robin Kinross
À partir de n°1 - Coll.
Sillo n°3 - Le Fauve
Zoom Age - Julien Auregan
Der Erste Rotkehlchen - Le livre 





























