Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

Salt Crystal - Fabio Parizzi
Le dos des choses - Guillaume Goutal
Tomber dans l'escalier - Jasper Sebastian Stürup
Mökki n°2
Blaclywall by Sihab Baik - Claude Closky
Burning Images, A History of Effigy Protests - Florian Göttke
Un essai sur la typographie - Eric Gill
Catalogue Art Guys - That's painting productions, Bernard Brunon
Holy etc. - Fabienne Radi
Erlebnispark - Paul & Carla
Aristide n°4
It was a good day - Jeremy Le Corvaisier
Le Monde en situation - Vanessa Theodoropoulou
Assembly - Sam Porritt
Illusive prosody - Alex Beaurain
Photographic Fields - Joël Van Audenhaege
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Sights - Henry McCausland
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
9 octobre 1977 - Roberto Varlez
Temps d'arrêt - Etienne Buyse
LSD n° 04 – A manga issue
Pénurie - Zivo, Jérôme Meizoz
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mökki n°4
Dédale - Laurent Chardon
Un cahier - Michel Quarez
Entretiens – Jérôme Dupeyrat
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Anderlecht — Molenbeek - Pierre Blondel
Editer l’art – Leszek Brogowski
Rendezvous - Eléonore Pano-Zavaroni
Talweg 6 - La distance
Entrez sans sonnet - Julie Redon
Critique d'art n°54
Klima Pages #2 — Somptueuses Résidences
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Strates & Archipels - Pierre Merle
ADBC du Dessin - Jacques Floret
A Compilation Of Contemporary Letter Designs
Good Company - Paul Van der Eerden
People in a faraday cage - Stéphanie Gygax
Intérieurs - Claude-Hubert Tatot
Imagos - Noémie Lothe
The Shelf - Journal 3
Une goutte d'homme - Alice Dourlen
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Carnivore - Grow
interférence - 2 - maycec
Blanche Endive - Grégoire Motte & Gabriel Mattei
Musée des Beaux-Arts - Pierre Martel
Les Grands Ensembles - Léo Guy-Denarcy
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Slanted 24 - Istanbul
Critique d'art n°55
Aurore Colbert - Marie Mons
In the presence of being absent... Arrgh. - Stéphanie Leinhos
16 x 421 - Lorraine Druon
Le Choix du peuple - Nicolas Savary, Tilo Steireif 





























