People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

moj’am al arabeia - Farah Khelil & antoine lefebvre editions
In The Navy - Julien Kedryna
Illusive prosody - Alex Beaurain
Un essai sur la typographie - Eric Gill
Der Erste Rotkehlchen - Le livre
š! #39 'The End' - coll.
12345678 - Maya Strobbe
Mökki n°4
Critique d'art n°55
SKKS - Gilles Pourtier
Le vieux père - Laurent Kropf
Il est si difficile de trouver le commencement - Helen Thorington
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Assembly - Sam Porritt
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Grilles - Zelda Mauger
Le chateau enchanté - Atelier Mclane
Rasclose - Geoffroy Mathieu
ARTZINES #3 - Tokyo issue
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Critique & création - L.L. de Mars
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
Machiavel chez les babouins - Tim Ingold
ICCMHW - Atelier Choque Le Goff
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Après la révolution – numéro 1
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Aristide n°4
Le museau de mes amies m’amuse - Jehane Mahmoud
Denver Mosaic 1961 - René Heyvaert
Le Choix du peuple - Nicolas Savary, Tilo Steireif 











































