People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Saint Julien l'hospitalier Tome 3 - Claire Pedot
Dear Paul - Paul Van der Eerden
La prise - Florian Javet
L'œuvre des matières - Ivry Serres
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Critique & création - L.L. de Mars
Titanic Orchestra - Julien Mauve
Sans titre - Chris Kiss
Débris N°2 - Théo Garnier Greuez
LSD n° 04 – A manga issue
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Strates & Archipels - Pierre Merle
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
š! #39 'The End' - coll.
Un essai sur la typographie - Eric Gill
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Radio-Art - Tetsuo Kogawa
Jawa Tengah Combo - Fred Maillard
Saint Julien l'hospitalier Tome 1 - Claire Pedot
America - Ayline Olukman, Hélène Gaudy
Comic Book (Untitled) - Stéphanie Leinhos
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Email Diamant - Fabienne Radi
Tomber dans l'escalier - Jasper Sebastian Stürup
A Home with no Roof - Sara De Brito Faustino
It was a good day - Jeremy Le Corvaisier
interférence - 2 - maycec
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Seoul Flowers & Trees - tribute to Lee Friedlander
Gros Gris n°4 - Duel
Sillo n°3 - Le Fauve
Aristide n°4
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
interférence - 3 - maycec
Wayfaring - Patrick Messina, André S. Labarthe
Roven n°4
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Illusive prosody - Alex Beaurain
Retour d'y voir - n° 1 & 2 - Mamco
À partir de n°1 - Coll.
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Dernier royaume - Quentin Derouet
Autodrône - Divine Vizion
Pénurie - Zivo, Jérôme Meizoz
Le blanc nez - Fouss Daniel
Rasclose - Geoffroy Mathieu
Habitante 2 - Coll.
De tels baisers - Jul Gordon
Polyphème (d'après Euripide) - J. & E. LeGlatin
Inflamed Invisible - David Toop
Le dos des choses - Guillaume Goutal
Temps d'arrêt - Etienne Buyse
Revue Les Saisons n°3
Shanghai Cosmetic - Leslie Moquin 











































