Introduction by Claudia Rankine
Texts by Lauren Berlant, Sadhana Bery, Daniel Borzutsky, Jane Caflisch, Jeff Chang, Aruna D’Souza, Lori Gruen, Saidiya Hartman, Linda Martín Alcoff, Nell Irvin Painter, and Doreen St. Félix
Artworks by Alexandra Bell, Mel Chin, Ken Gonzales-Day, Titus Kaphar, Charlotte Lagarde, Carla Liesching, Glenn Ligon, Nell Painter, and Hank Willis Thomas

Cofounded in 2017 by authors Claudia Rankine and Beth Loffreda, the Racial Imaginary Institute (TRII) is an interdisciplinary collective of artists, writers, knowledge-producers and activists. The institute’s historic 2018 symposium “On Whiteness” convened a dazzling array of thinkers, artists and activists. The essays that resulted from the event, collected here, seek to examine whiteness as a source of often unquestioned or even unobserved power, and make visible variations of this dangerous ideology that has been intentionally positioned as neutral.
In our current moment, whiteness is freshly articulated: as a source of unquestioned power, and as a “bloc”, it feels itself endangered even as it retains its hold on power. Given that the concept of racial hierarchy is a strategy employed to support white dominance, whiteness is an important aspect of any conversation about race. The essays in On Whiteness make visible what has been intentionally presented as inevitable to help the move forward into more revelatory conversations about race. They question what can be made when we investigate, evade, beset and call out “bloc whiteness.”

Poster Tribune # 11
Revue Les Saisons n°3
Dear Paul - Paul Van der Eerden
Sans-Titre - Laurens Van'T Riet
Gruppen n°14 - Collectif
Assembly - Sam Porritt
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Les Mains sales - Collectif
La construction - Perrine Le Querrec
In The Navy - Julien Kedryna
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Tanière de lune - Maria-Mercé Marçal
La prise - Florian Javet
Aristide n°4
Imagos - Noémie Lothe
Piano - Joseph Charroy
Critique d'art n°56 













