Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Mökki n°4
Polygone n°01 - Amour - Collectif
Link Human / Robot - Collectif dir. Emmanuelle Grangier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
La prise - Florian Javet
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Le vieux père - Laurent Kropf
Le blanc nez - Fouss Daniel
An artist - Malena Pizani
Ce que l'histoire fait au graphisme - Clémence Imbert
Papier magazine n°06 - Coupe du monde
Marcel Proust en cinq minutes — Jackson B. Smith
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
(page 1 et 17) - Lorraine Druon
Zoom Age - Julien Auregan
akaBB - tribute to Roni horn
Keywording (Post) Contemporary Art - Greta Rusttt
Génération dakou - Yann Jun + CD
Shanghai Cosmetic - Leslie Moquin 









