Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


IRL - In real life n°1 - Coll.
Éclats III - Athanor
Débris N°2 - Théo Garnier Greuez
akaBB - tribute to Roni horn
Rois de la forêt - Alain Garlan
interférence - 3 - maycec
SKKS - Gilles Pourtier
Editer l’art – Leszek Brogowski
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Gros Gris n°4 - Duel
Denver Mosaic 1961 - René Heyvaert
Le blanc nez - Fouss Daniel
Piano - Joseph Charroy
Parataxes + CD - Michael Gendreau
Temps d'arrêt - Etienne Buyse
Aristide n°4
Assembly - Sam Porritt
Dernier royaume - Quentin Derouet
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Citrus maxima xparadisi - coll.
Après la révolution – numéro 1
Dédale - Laurent Chardon
Le style anthropocène - Philippe Rahm
本の本の本 - antoine lefebvre editions,
Photographic Fields - Joël Van Audenhaege
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Bande Annonce - Cinéma & Bande Dessinée - Coll.
America - Ayline Olukman, Hélène Gaudy
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 









