Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Temps d'arrêt - Etienne Buyse
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Pectus Excavatum - Quentin Yvelin
Imagos - Noémie Lothe
Prose postérieure - Les commissaires anonymes
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
À partir de n°1 - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Les Grands Ensembles - Léo Guy-Denarcy
Dédale - Laurent Chardon
Piano - Joseph Charroy
Dernier royaume - Quentin Derouet 






















