Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

To Be Determined: Photography and the Future - Duncan Wooldridge
Optical Sound 3
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
People in a faraday cage - Stéphanie Gygax
Good Company - Paul Van der Eerden
Paysageur n°3 - Mobiles
IRL - In real life n°1 - Coll.
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Lavalse des tambours - Paul Rey
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Fluent - Laëticia Donval
(page 1 et 17) - Lorraine Druon
fig. #6 - antithèse
Ludmilla Cerveny - Work
Les voiles de Sainte-Marthe - Christian Rosset
Jean-Jacques a dit - Angèle Douche
Ellipse - Ismail Alaoui-Fdili
Saint Julien l'hospitalier Tome 1 - Claire Pedot
America - Ayline Olukman, Hélène Gaudy 






















