Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

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10 MINUTES Architects and Designers in Conversation
Savoir Revivre - Jacques Massacrier
Habitante 2 - Coll.
Le style anthropocène - Philippe Rahm
Slanted 30 - Athens
Critique d'art n°56
Ar(t)chitectures situées - Étienne Delprat
Entretiens – Jérôme Dupeyrat
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Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Critique d'art n°55
Graphic Design Is (…) Not Innocent - Ingo Offermanns
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ARTZINES #7 - Berlin issue
UPO 1 - Earth Art - Rejane Dal Bello
Papier magazine n°06 - Coupe du monde
Zoom Age - Julien Auregan
Le lacéré anonyme - Jacques Villeglé
La mémoire en acte - Quarente ans de création musicale
Tomber dans l'escalier - Jasper Sebastian Stürup
Artzines # 10 - Show & Tell #2 NY Special
Le blanc nez - Fouss Daniel
Artzines #12 Provo Special
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 






















