Instructional Photography: Learning How to Live Now is a timely and explosive book by artist and writer Carmen Winant. An investigation of a genre of photographs Winant calls “instructional”, it asks: can photographs teach, in and of themselves? If so, how might we look to them to demonstrate new possibilities, from social organizing to self-actualization?

Alternating between found images and shorter, text-based observations (which serve to reinforce, rather than explain, one another), Winant delves into this new category of images through her own collection, understanding them as something beyond, or at least in between, documentary and fine art. Included in the volume are pictures of dog-training techniques, home gynaecological exams, sitting Shiva, and massaging young children, among many others. Moving image by image, Winant queries how each behaves as a small mirror, arguing for the primacy of photographs to instruct and impart both technical and ontological knowledge (sometimes in the same shot). Instructional Photographs is a treatise in photographic categorization, but also informed compassion: we understand our bodies – and the conditions of our world – best when they are faithfully related back to us.
The book builds on a presentation that Winant delivered at the MoMA Contemporary Photo Forum in September 2020.
Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020, and currently holds an FCA Artist Grant. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 120
Type of printing: Offset
ISBN: 9781916041240

Graphic Design Is (…) Not Innocent - Ingo Offermanns
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Join my patreon - Jooyoung Kim
Idoine & Supermarket
Gruppen n°14 - Collectif
1000€ le G - Cédric Elmerich
Habitante 2 - Coll.
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
La chose à l'envers - Dosoung Kim
Lili, la rozell et le marimba / revue n°2
Publication Revue N°1
Sex Work is Work - Inmensidades
Tools n° 05 – Tourner
Débris N°2 - Théo Garnier Greuez
Hand Smoothed - Coin Fos
Wayfaring - Patrick Messina, André S. Labarthe
Dédale - Laurent Chardon
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Aristide n°4
La Fête - Damien Tran
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Rasclose - Geoffroy Mathieu
Nebulae - Aude Barrio, Néoine Pifer
La morale de la Xerox - Clara Balaguer, Florian Cramer
Elk - Jocko Weyland
GENUINE OCCIPUT DATA - Hector Mosko
Huts, Temples, Castles - Ursula Schulz-Dornburg
Vandalisme Queer - Sara Ahmed
Hideous - Thomas Perrodin, Néoine Pifer
Wages For Wages Against – Volume 1 + 2
Off the Grid - Anna Niklova
Video doodles 2024 - Espen Friberg
Le Dépli - Loïc Largier
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Breaking Atoms - Alex Besikian
Slanted 30 - Athens
Tools #04 – Couper / To Cut
Mission Control - Emir Karyo & Jan Wojda
Alma Mater n°1
A Compilation Of Contemporary Letter Designs
Holy Mountain - Maia Matches, Knuckles & Notch
Karbone Magazine n°8 - Parasite
Retour d'y voir - n° 1 & 2 - Mamco
Sillo n°3 - Le Fauve
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Une histoire russe - Claude Grétillat
"Maria ! I've just drawn a girl named Maria..."
La Couleur du Geste - Héloïse Bariol
Spécimen Typographique : No Ko - Loris Pernoux
Autoportrait - Carla Lonzi
Les Mains sales - Collectif
How to Become the Daughters of Darkness - Coll.
Changer l'art par ses marges ? - Charlotte Laubard
DIRECT ACTION - Ben Russell et Guillaume Cailleau.
Talweg 6 - La distance
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Untitled (Comic Book) - Frédérique Rusch
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Red Horse - Sasha Kurmaz
Slanted 24 - Istanbul
UPO 1 - Earth Art - Rejane Dal Bello
BIC011 Montes - Braulio Amado
Manuel pour formes et constructions nomades - Julien Rodriguez
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Betty Tompkins - Raw Material
Vanishing Workflows - Xavier Antin
twen [1959–1971]
Les Grands Ensembles - Léo Guy-Denarcy
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Geographia - Christine Demias
Retour d'y voir - n° 3 & 4 - Mamco
A R N O R D I R - FLorian Marciourt
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Design sous artifice : la création au risque du machine learning - Anthony Masure
Image Canoë - Jérémie Gindre
Composite n° 04
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
La typographie des Penguin Classics - Andrew Barker
LSD n° 04 – A manga issue
Idoine & Antonin Giroud-Delorme
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Der Erste Rotkehlchen - Le livre 















