created on the occasion of her solo show at MEP in Paris, January 17 – February 16, 2020.

En collaboration avec MEP, Maison européenne de la photographie.
Ask the Dust makes one step closer to the minute, counts the speck of dust that the oblivion has not taken, explores the thin fissures where the ephemeral trace of a past life has found refuge. Following the example of John Adams in his opera I was looking at the ceiling and then I saw the sky, this act recounts a storm, a fictional catastrophe symbolizing the emotional shock of the protagonists. The storm, considered to a love story, turns upside down their worlds, crumble the reality and redefines a new way of life. The journey is following the struggle against the devastation and the transformation of the inner life. Alone in his room, the Man resides between a state of arousal and dream. He stares at the ceiling, the roof is collapsing under the weight of the lightning bolt, he’s facing the sky. This catastrophe from which we will only keep the signification without evoking any reason or content, is at the core of my approach by extending it to the use of the medium. The dust related to the analog practice represents what is infinitely large as well as the others alterations, who become a full-fledged subject. Through this « ballad between the infinitely large and the infinitely small » (Sophie Ristelhueber) I am writing the resurgence of an impression, the rise of a memory generated by the encounter of familiar places, the remembrance through an object and the spirituality that a landscape reveals in us. We are entering in an other space, where the body is absent, a space that doesn’t know his own limit and disappear in fragments of memories which are recomposing. Leave it to the wind to decide what traces are left behind in the dust.
40 pages
Paper: Favini Crush Almond and Fedrigoni Freelife Vellum

A l'origine - Anne-Émilie-Philippe
Le laboratoire de fermentation - Ludovic Burel
Roven n°5
本の本の本 - antoine lefebvre editions,
Après la révolution – numéro 1
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Étrangement seuls - Jean-Pascal Princiaux
Aurore Colbert - Marie Mons
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
interférence - 2 - maycec
Le dos des choses - Guillaume Goutal
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Avec ce qu'il resterait à dire - Anne Maurel
À partir de n°1 - Coll.
Tchat - Gary Colin
Planning - Pierre Escot
Sillo n°3 - Le Fauve
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le 6b Saint-Denis, dans un tiers-lieu culturel
Zoom Age - Julien Auregan
Good Company - Paul Van der Eerden
Critique d'art n°55
Retour d'y voir - n° 3 & 4 - Mamco
Prose postérieure - Les commissaires anonymes
Temps d'arrêt - Etienne Buyse
Grilles - Zelda Mauger
Le Gabion - Théo Robine-Langlois
Saint Julien l'hospitalier Tome 2 - Claire Pedot
ICCMHW - Atelier Choque Le Goff
La prise - Florian Javet
Dédale - Laurent Chardon
Shanghai Cosmetic - Leslie Moquin
Délié - Baptiste Oberson
Mökki n°2
Le chateau enchanté - Atelier Mclane
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Eros negro n°3 - Démoniak
Piano - Joseph Charroy
MENU メニュー - Wataru Tominaga
Débris N°2 - Théo Garnier Greuez
Dans la Lune - Fanette Mellier
interférence - 3 - maycec
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
De tels baisers - Jul Gordon
L'internationale modique (AND 3) - J-M. Bertoyas
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Photographic Fields - Joël Van Audenhaege
Gros Gris n°4 - Duel
Image Canoë - Jérémie Gindre
Mökki n°4
An Inventory Of - Daniele Franzella
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 





















