WHAT DOES IT MEAN TO PRACTICE A POST-OIL SENSE OF SELF AND CULTURE? This publication provides techniques to investigate your petro-subjectivity. Realizing the degree to which your life—your decisions, sense of self, cultural beliefs, the ways your neural pathways work—relies on petroleum is the only way to understand how it is possible to make fundamental shifts away from petroculture. It is impossible to think and dream the future, and ways to deal with climate breakdown, without first confronting, and mitigating this primary way in which you perceive the world and embody responses to it. You will not be able to get rid of petro-subjectivity in your lifetime—it so thoroughly permeates every aspect of who you are—but you can help lay the ground work for future generations to achieve this. I wrote at length about the impact of fossil fuels on your sense of self in the book Petro-Subjectivity: De-Industrializing Our Sense of Self. In these pages, you find a selection of exercises for the exploration of the ways that fossil fuel shapes your embodied mind, your experiences of the world, the petroleum stored in your body, and your sense of self. Do the exercises by yourself or with others in small groups. Exercises are drawn from several sources including: the practice of Deep Listening* developed over 40 years by the composer and musician Pauline Oliveros and many others she inspired; the Deep Mapping approach to understanding self and place that Nuno Sacramento and I have articulated in a book together called Deep Mapping; and exercises I have developed combining multiple approaches to meditating and reflecting on petro-subjectivity.
38 pages.


Tanière de lune - Maria-Mercé Marçal
Crise de foie - Christine Demias
Il était deux fois - Gary Colin
Slanted 24 - Istanbul
The Shelf - Journal 3
Shanghai Cosmetic - Leslie Moquin
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Turbo Decompress - Coll.
Optical Sound 3
Critique d'art n°55
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Critique d'art n°54
Gros Gris n°4 - Duel
Sans titre - Chris Kiss
Mökki n°2
Fluent - Laëticia Donval
Wayfaring - Patrick Messina, André S. Labarthe
ARTZINES #3 - Tokyo issue
Roven n°5
Mercometal
Temps d'arrêt - Etienne Buyse
Optical Sound 2
L'internationale modique (AND 3) - J-M. Bertoyas
In The Navy - Julien Kedryna
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Piano - Joseph Charroy
Before Science - Gilles Pourtier, Anne-Claire Broc'h
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Le chateau enchanté - Atelier Mclane
Eldorado maximum - Les commissaires anonymes
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Seoul Flowers & Trees - tribute to Lee Friedlander
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Hérésie Étiologique - coll.
Sillo n°3 - Le Fauve
Intérieurs - Claude-Hubert Tatot
It was a good day - Jeremy Le Corvaisier
Les Grands Ensembles - Léo Guy-Denarcy
Délié - Baptiste Oberson
Alma Mater n°1
Lili, la rozell et le marimba / revue n°2
Dernier royaume - Quentin Derouet
Artzines #12 Provo Special
Papier magazine n°06 - Coupe du monde
Le blanc nez - Fouss Daniel
Aristide n°4
Carnivore - Grow
Holy etc. - Fabienne Radi 











