In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

Prose postérieure - Les commissaires anonymes
It was a good day - Jeremy Le Corvaisier
Wayfaring - Patrick Messina, André S. Labarthe
America - Ayline Olukman, Hélène Gaudy
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Aristide n°4
Eros Negro # 1 - Demoniak
An Inventory Of - Daniele Franzella
Mission Control - Emir Karyo & Jan Wojda
The Book Fight - Chihoi
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Pectus Excavatum - Quentin Yvelin
Temps d'arrêt - Etienne Buyse
Eros negro #2 - Demoniak
Imagos - Noémie Lothe
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
À partir de n°1 - Coll.
Délié - Baptiste Oberson
Étrangement seuls - Jean-Pascal Princiaux
La prise - Florian Javet
Dans la Lune - Fanette Mellier
Optical Sound 3
Mariken Wessels — Miss Cox
Paysageur n°3 - Mobiles
Sans titre - Chris Kiss
La mémoire en acte - Quarente ans de création musicale 











