This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Optical Sound 2
Changer l'art par ses marges ? - Charlotte Laubard
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Aurore Colbert - Marie Mons
Dans la Lune - Fanette Mellier
Wayfaring - Patrick Messina, André S. Labarthe
fil·le·s de polypropylène bleu - coll.
Désolation - Verity Spott
Dessins pour Rugir - Virginie Rochetti
La prise - Florian Javet
À partir de n°3 - Collectif
Zoom Age - Julien Auregan
Retour d'y voir - n° 1 & 2 - Mamco
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Pectus Excavatum - Quentin Yvelin
Le Dépli - Loïc Largier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Temps d'arrêt - Etienne Buyse
À partir de n°1 - Coll.
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Photographic Fields - Joël Van Audenhaege
Catalogue Art Guys - That's painting productions, Bernard Brunon
Berlin Design Digest
Après la révolution – numéro 1
It was a good day - Jeremy Le Corvaisier
Optical Sound 3
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Le blanc nez - Fouss Daniel
Der Erste Rotkehlchen - Le livre
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Bacon le Cannibale - Perrine Le Querrec
Barrage de Sarrans - Sandrine Marc
Pénurie - Zivo, Jérôme Meizoz
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Woman Journal Vol. 4 - Outils d'Émancipation (Tools for Emancipation)
Roven n°4
Norovirus - Orgie en mers chaudes - Claude Grétillat
Imagos - Noémie Lothe 















