This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

In The Navy - Julien Kedryna
Imagos - Noémie Lothe
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Musée des Beaux-Arts - Pierre Martel
Rasclose - Geoffroy Mathieu
Délié - Baptiste Oberson
Assembly - Sam Porritt
Editer l’art – Leszek Brogowski
Papier magazine n°06 - Coupe du monde
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Fluent - Laëticia Donval
Photographic Fields - Joël Van Audenhaege
Imago - Bill Noir
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Autodrône - Divine Vizion
Shanghai Cosmetic - Leslie Moquin
Deep state - Mathieu Desjardins
De lave et de fer - Laurent Feynerou
Mökki n°2
Tomber dans l'escalier - Jasper Sebastian Stürup
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Piano - Joseph Charroy
À partir de n°1 - Coll.
Christina Forrer - Don’t Swallow Your Tongue
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Wayfaring - Patrick Messina, André S. Labarthe
ICCMHW - Atelier Choque Le Goff
Good Company - Paul Van der Eerden
Dernier royaume - Quentin Derouet
Dédale - Laurent Chardon
Karbone Magazine n°8 - Parasite
Le chateau enchanté - Atelier Mclane
La prise - Florian Javet
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Critique & création - L.L. de Mars
The Shelf - Journal 3
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Gruppen n°13 - Collectif
Salt Crystal - Fabio Parizzi
Grilles - Zelda Mauger
š! #39 'The End' - coll.
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Benoit - Camille Potte
Alma Mater n°1 















