“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

It was a good day - Jeremy Le Corvaisier
Je ne peux pas ne pas - Geneviève Romang
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Image Canoë - Jérémie Gindre
Holy Mountain - Maia Matches, Knuckles & Notch
☀ - Manon Demarles
Travaux Discrets (d'après Brueghel) - Éric Watier
Grilles - Zelda Mauger
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le chateau enchanté - Atelier Mclane
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Zoom Age - Julien Auregan
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Bisou Magique - Coll.
Dear Paul - Paul Van der Eerden
Email Diamant - Fabienne Radi
Le blanc nez - Fouss Daniel
Papier magazine n°06 - Coupe du monde
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
RISO La Colombe de Kant - Philonimo 8 - Émilie Vast
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Lavalse des tambours - Paul Rey
Calendrier des révoltes - Matthieu Saladin
Isaiah Zagar . off zine 1
Strates - Else Bedoux
Salt Crystal - Fabio Parizzi
Morph - Camilo García A.
Le dernier homme - Johann Rivat
Les soleils qui tournent ont des oreilles - coll.
Mökki n°4
Aristide n°4
Soundtrack/s - Rosaire Appel
9 octobre 1977 - Roberto Varlez
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Imagos - Noémie Lothe
Pectus Excavatum - Quentin Yvelin
La prise - Florian Javet
Titanic Orchestra - Julien Mauve
Escape - Makiko Minowa
Vacuité 9090 - Jérémy Piningre
Ilya Ehrenbourg - Et pourtant elle tourne
Prose postérieure - Les commissaires anonymes
Tools n° 05 – Tourner
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Bambi # 4 - Collectif
Talweg 6 - La distance
Sights - Henry McCausland
Awakening at the inn of the birds - Aymeric Vergnon
Replacement Artwork - Alexandre Barré
Gros Gris n°4 - Duel 































