“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Imagos - Noémie Lothe
Le Choix du peuple - Nicolas Savary, Tilo Steireif
In The Navy - Julien Kedryna
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
本の本の本 - antoine lefebvre editions,
Bienvenue à Colomeri ! - Hécate Vergopoulo,
10 MINUTES Architects and Designers in Conversation
Autodrône - Divine Vizion
Fluent - Laëticia Donval
Sillo n°3 - Le Fauve
Halogénure #04
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Pénurie - Zivo, Jérôme Meizoz
Sights - Henry McCausland
La traversée - Magali Brueder
Clubhouse #14 - Colorama Books
Der Erste Rotkehlchen - Le livre
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Talweg 6 - La distance
akaBB - tribute to Roni horn
Entretiens – Jérôme Dupeyrat
Sans titre - Benjamin Hartmann
Collage - Laura McMorrow
Klima Pages #2 — Somptueuses Résidences
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Dédale - Laurent Chardon
Karbone Magazine n°8 - Parasite
Mökki n°2
Shanghai Cosmetic - Leslie Moquin
Polygone n°01 - Amour - Collectif
America - Ayline Olukman, Hélène Gaudy
Wayfaring - Patrick Messina, André S. Labarthe
Gros Gris n°4 - Duel
Norovirus - Orgie en mers chaudes - Claude Grétillat
Le corps travesti - Michel Journiac
Le chateau enchanté - Atelier Mclane
Papier magazine n°06 - Coupe du monde
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Optical Sound 3
Holy etc. - Fabienne Radi
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Photographic Fields - Joël Van Audenhaege
Aristide n°4
Retour d'y voir - n° 1 & 2 - Mamco
Un peu comme voir dans la nuit - Leif Elggren + CD
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Paysageur n°3 - Mobiles
A l'origine - Anne-Émilie-Philippe
Dear Paul - Paul Van der Eerden
Critique d'art n°54
Halfgrijs - Coll.
Temps d'arrêt - Etienne Buyse
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Dans la Lune - Fanette Mellier
Copy This Book - Eric Schrijver
Editer l’art – Leszek Brogowski
Il est si difficile de trouver le commencement - Helen Thorington
Cuadernos - Henry Deletra
MP.19 - Matt Paweski, Chris Sharp
Mökki n°4
Piano - Joseph Charroy
SKKS - Gilles Pourtier
Illusive prosody - Alex Beaurain
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
interférence - 3 - maycec 































