“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Entretiens – Jérôme Dupeyrat
Critique d'art n°55
Gruppen n°13 - Collectif
Le chateau enchanté - Atelier Mclane
Le déclin du professeur de tennis - Fabienne Radi
Der Erste Rotkehlchen - Le livre
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Photographic Fields - Joël Van Audenhaege
Le dos des choses - Guillaume Goutal
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Holy etc. - Fabienne Radi
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Une goutte d'homme - Alice Dourlen
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Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
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Tanière de lune - Maria-Mercé Marçal
A l'origine - Anne-Émilie-Philippe
Good Company - Paul Van der Eerden
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Critique d'art n°54
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
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Titanic Orchestra - Julien Mauve
Zoom Age - Julien Auregan
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Farandole - Jérémie Fischer
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Bambi # 4 - Collectif
Après la révolution – numéro 1
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Habitante 2 - Coll.
Humoral Fortuities - Francesco Albano’s
Shanghai Cosmetic - Leslie Moquin
Sans titre - Chris Kiss
Cuadernos - Henry Deletra
ARTZINES #1, Paris issue
On the Soft Edge of Space - Marleen Sleeuwits
The Shelf - Journal 3
Le vieux père - Laurent Kropf
Promenade au pays de l'écriture - Armando Petrucci
Paysageur n°3 - Mobiles
It was a good day - Jeremy Le Corvaisier
Bruits - Emmanuel Madec
akaBB - tribute to Roni horn
Gruppen n°14 - Collectif
Hobo Nickel - Damien Sauvage
Editer l’art – Leszek Brogowski
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Prose postérieure - Les commissaires anonymes
A Home with no Roof - Sara De Brito Faustino
Pénurie - Zivo, Jérôme Meizoz
SKKS - Gilles Pourtier
Aurore Colbert - Marie Mons
In The Navy - Julien Kedryna
Wayfaring - Patrick Messina, André S. Labarthe
Vaguement inoubliable - Bill Noir
Modern Instances, The Craft of Photography - Stephen Shore
Musée des Beaux-Arts - Pierre Martel
Fluent - Laëticia Donval
Je ne peux pas ne pas - Geneviève Romang
Roven n°5
Tomber dans l'escalier - Jasper Sebastian Stürup 































