“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Slanted 24 - Istanbul
Mökki n°4
Un essai sur la typographie - Eric Gill
Le dos des choses - Guillaume Goutal
Gros Gris n°4 - Duel
Seoul Flowers & Trees - tribute to Lee Friedlander
Assembly - Sam Porritt
Roven n°4
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Gruppen n°13 - Collectif
Bambi # 4 - Collectif
☀ - Manon Demarles
It was a good day - Jeremy Le Corvaisier
Bacon le Cannibale - Perrine Le Querrec
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Tanière de lune - Maria-Mercé Marçal
Illusive prosody - Alex Beaurain
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Lucky Me - Eva Rotreklová & Jules Janssen
Eros Negro # 1 - Demoniak
Keywording (Post) Contemporary Art - Greta Rusttt
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Dédale - Laurent Chardon
Optical Sound 3
La France de tête - Lot de 4 numéros
interférence - 2 - maycec
interférence - 3 - maycec
Tupera Tupera Postcard Book
Rasclose - Geoffroy Mathieu
Deep state - Mathieu Desjardins
In The Navy - Julien Kedryna
Teddy et le Grand Terrible - Orian Mariat.
People in a faraday cage - Stéphanie Gygax
Dear Paul - Paul Van der Eerden
Hmm ! - C. de Trogoff
Email Diamant - Fabienne Radi
Le vieux père - Laurent Kropf
Slanted 30 - Athens
Trous gris - Michel Vachey
Je ne peux pas ne pas - Geneviève Romang
À partir de n°1 - Coll.
Aurore Colbert - Marie Mons
Il est si difficile de trouver le commencement - Helen Thorington
Ilya Ehrenbourg - Et pourtant elle tourne
Citrus maxima xparadisi - coll.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Carnivore - Grow
Pectus Excavatum - Quentin Yvelin 































