“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Marcel Proust en cinq minutes — Jackson B. Smith
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Le chateau enchanté - Atelier Mclane
Les voiles de Sainte-Marthe - Christian Rosset
Dernier royaume - Quentin Derouet
Lucky Me - Eva Rotreklová & Jules Janssen
Surface Tension - Tabitha Soren
Tarwar - Ilan Manouach
I Am Not I - Boris Mikhailov
À partir de n°1 - Coll.
Sans titre - Chris Kiss
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Pik Nik à Talinn - Thomas Chmp
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Working men have no country - Coll.
Optical Sound 2
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Imagos - Noémie Lothe
Délié - Baptiste Oberson
Betty Tompkins - Raw Material
Titanic Orchestra - Julien Mauve
Tools of Encouragement - Erlend Peder Kvam
Philatélie - Magali Brueder
Dessins pour Rugir - Virginie Rochetti
Dishes for Dolls - Ruth van Beek
Critique d'art n°56
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Véhicule N°7 - Collectif
Untitled (Comic Book) - Frédérique Rusch
Black Case Volume I and II: Return From Exile - Joseph Jarman
A l'origine - Anne-Émilie-Philippe
Gros Gris n°4 - Duel
Dear Paul - Paul Van der Eerden
Replacement Artwork - Alexandre Barré
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Un cheval, des silex - Benoît Maire, Sally Bonn
De tels baisers - Jul Gordon
Fluent - Laëticia Donval
Sans titre - Benjamin Hartmann
La traversée - Magali Brueder
Vers Vermersch - Thomas Dunoyer de Segonzac
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Flynn zine # 1 - Flynn Maria Bergmann
Hmm ! - C. de Trogoff
Tupera Tupera Postcard Book
SKKS - Gilles Pourtier
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Halogénure #04
In The Navy - Julien Kedryna 































