Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Carnivore - Grow
Critique d'art n°56
La prise - Florian Javet
Tools of Encouragement - Erlend Peder Kvam
Gone - Pierre La Police
Marginalia - Clément Laigle
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
genital or genius - Paul
Une goutte d'homme - Alice Dourlen
Retour d'y voir - n° 1 & 2 - Mamco
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Tomber dans l'escalier - Jasper Sebastian Stürup
Parataxes + CD - Michael Gendreau
Assembly - Sam Porritt
Sillo n°3 - Le Fauve
Slanted 30 - Athens
I Am Not I - Boris Mikhailov
Sans titre - Chris Kiss 







