Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Dear Paul - Paul Van der Eerden
Revue La Ronde n°14
Bambi # 4 - Collectif
Mökki n°2
Halogénure #04
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Good Company - Paul Van der Eerden
Gros Gris n°4 - Duel
Clubhouse #14 - Colorama Books
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Temps d'arrêt - Etienne Buyse
Keywording (Post) Contemporary Art - Greta Rusttt
Vacuité 9090 - Jérémy Piningre
Illusive prosody - Alex Beaurain
Photographic Fields - Joël Van Audenhaege
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Shanghai Cosmetic - Leslie Moquin
In The Navy - Julien Kedryna
Les Grands Ensembles - Léo Guy-Denarcy
"Maria ! I've just drawn a girl named Maria..."
Après la révolution – numéro 1
Denver Mosaic 1961 - René Heyvaert
Dédale - Laurent Chardon
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Seoul Flowers & Trees - tribute to Lee Friedlander
Critique d'art n°56
It was a good day - Jeremy Le Corvaisier
Délié - Baptiste Oberson 







