Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Editer l’art – Leszek Brogowski
Pluie - Coll. - Lagon revue
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Ventoline 5 - Coll.
On dirait le sud - Anne-Sophie Turion
Poèmes - Yvonne Rainer
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Pectus Excavatum - Quentin Yvelin
9 octobre 1977 - Roberto Varlez
Deep state - Mathieu Desjardins
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
It was a good day - Jeremy Le Corvaisier 







