Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

How to Become the Daughters of Darkness - Coll.
Rasclose - Geoffroy Mathieu
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Mission Control - Emir Karyo & Jan Wojda
Danses d'intérieur - Lotus Eddé Khouri
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Binic machine - Justin Dutilh
Deep state - Mathieu Desjardins
Gros Gris n°4 - Duel
Slanted 24 - Istanbul
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







