Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
La prise - Florian Javet
Entretiens – Jérôme Dupeyrat
Black Case Volume I and II: Return From Exile - Joseph Jarman
Radio-Art - Tetsuo Kogawa
Artzines # 10 - Show & Tell #2 NY Special
Optical Sound 2
Critique d'art n°55
Optical Sound 3
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
SKKS - Gilles Pourtier
Sans titre - Chris Kiss
Der Erste Rotkehlchen - Le livre
Inframince et hyperlié - Philippe Lipcare
Musée des Beaux-Arts - Pierre Martel
Livre d'un Révélation - Chloé Ravenel
Berlin Design Digest
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
The Shelf - Journal 3
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Lili, la rozell et le marimba / revue n°2
(page 1 et 17) - Lorraine Druon
A Compilation Of Contemporary Letter Designs
Saint Julien l'hospitalier Tome 1 - Claire Pedot
"Maria ! I've just drawn a girl named Maria..."
Strates & Archipels - Pierre Merle
À partir de n°1 - Coll. 







